As you may know by now, Inspired Magazine is a sucker for data visualization. That’s why we invited Tony Shin – a social media ninja and creative design samurai – to curate the weekly dose of infographics. If you like them as much as we do check out some of the older editions and follow [...]

A follow up to Text Drive by Alexa Lash – a writer, editor, and on-the-spot poet. Former Floridian and resident Bostonian, she has written for the Seminole Chronicle, Momslikeme, and the Central Florida Future, and is currently working in the Journalism Department of Emerson College. Illustration by Paula Damigella.   What is 143? Baby, don’t [...]

Adaptive re-use is cool for so many reasons: it is sustainable, it creates original and surprising architecture and it echoes a concept that can be semi-academically described as continuity in time. Even not mentioning the manageability and modular organisation advantages of building with shipping containers, Cargotecture still sounds like a remarkably ethical and smart idea in [...]

Awesome!

This recent decade has witnessed some amazing technological innovation. From the breakthrough of the personal computer at the turn of the century to the invasion of smartphones, out of the 6.9bnn people roaming our dear planet, there are now 1.3bn people worldwide who own a personal computer and 5bn who own a mobile phone. The [...]

Think you can create the next Toy Story, The Simpsons or Wallace & Gromit? If so, Red Bull Canimation is for you. To enter, simply pick your specialist category from CGI, Drawn and Stop Motion animation, take your inspiration from the Red Bull can, choose your soundtrack from the Red Bull Canimation website and upload [...]

Designer, illustrator, screen-printer and “portraiture” artist, Aaron Scamihorn says he has a mixed media love affair with typography and serigraphy. His work can be found on gig posters for bands like CAKE, Queens of the Stone Age; reppin’ roller derby tournaments; and illustrating striking expressions from celebrities and iconic films. His use of rigorous texture [...]